Here abstracted drawing and restrained colour washes lend a bittersweet nostalgia to the Legend and Legacy series. Nostalgia — from the Greek, literally ‘pain of home’ — prompts uncomfortable memories of a home-town with a proudly independent, left-leaning political culture that is now ailing, its Labour Council and local government squeezed between unscrupulous business interests and Labor Party factions who call the shots and pre-selections from afar. The fix is in.
MacDonald also pays tribute to happier legends. Linking past and present images of grass-roots action, we appreciate this legacy in recent struggles to save pristine Water Catchment Special Areas from long-wall mining, Sandon Point from over-development and the coast, up and down, from the spread of unchecked McMansions. New times have demanded new spaces and new ways of organising. Today’s organised actions are spatially dispersed and loosely led. Will they slip more quickly into the quiet backwaters of local archival memory?
|Local Studies: Legend and Legacy No. 10 (sit in), 2009
Watercolour, 150 x 180 cm
|Local Studies: Legend and Legacy No. 11 (Merv Nixon in May Day March, 1972), 2009 Watercolour, 53 x 73 cm|
|Local Studies: Legend and Legacy No. 6 (meeting on the beach, 2009), 2009 Watercolour, 73 x 53 cm||Local Studies: Legend and Legacy No. 8 (sit in, 1982), 2009
Watercolour, 53 x 73 cm
|Local Studies: Legend and Legacy No. 13 (May Day March, 1982), 2009 Watercolour, 73 x 53 cm|
Local Studies: Fiona MacDonald tells difficult archival stories — of local nobodies, worthies and outright bastards — who make regional Australia both singular and crushingly familiar. Her other local studies start with her hometown Rockhampton, built by the world’s richest goldmine at Mount Morgan, and comprise a 16-year undertaking, surveyed recently at Artspace Mackay.
MacDonald juxtaposes canon and caricature to re-file our darker historical narratives through witty collage. In the silhouetted caricatures of colonial class and race relations of Native and Stranger (2010) we trace the line of Enlightenment curiosity and colonial incursion, native and stranger in which the Botany Bay clans respond, in Dharawal language, ‘Warra, warra, wai' or 'go away'.
Fiona MacDonald’s archival sweep retrieves more aberrant colonial moments through satirical images and maverick imagery. These dissonant and creative gestures are valuable for we glimpse other viewpoints, generating change.
Catriona Moore and Jo Holder, extracts from Fiona MacDonald’s Local Studies: Legend and Legacy, exhibition catalogue, Wollongong City Art Gallery, March 2010.
See also: Jo Holder, Fiona MacDonald: Local Studies, A View from a Central Queensland Archive, exhibition catalogue, Artspace Mackay, 2009.
Fiona MacDonald, Local Studies: Legend and Legacy, exhibition catalogue, Wollongong City Art Gallery > Download pdf
Fiona MacDonald, Local Studies: a view from Central Queensland archives, exhibition catalogue, > Download pdf