Open Cut: Jacky Green, Sean Kerins, Therese Ritchie — 24 February to 31 March 2018

Open Cut: Jacky Green, Sean Kerins, Therese Ritchie

Opening Saturday 24 February with a Floor talk at 2.30pm

Exhibition 24 February to 31 March 2018


The exhibition Open Cut: Jacky Green, Sean Kerins, Therese Ritchie brings to life the power imbalance between mining companies and Aboriginal peoples on whose country minerals and natural gas are extracted while they remain in poverty. The installation combines stories, photography and painting and a timeline history graphic of the southwest Gulf of Carpentaria gathered through multiple consultations in 2017.

Through these means the artists hope to present the voices and authority of Garawa, Gudanji, Marra and Yanyuwa peoples from the Borroloola area of in the southwest Gulf region of the Northern Territory, the owners and managers whose voices are ignored, cast aside or silenced. Mining developments are harming their lives, contaminating their food and destroying their ancestral countries.

From the first wave of 'developing the north' in the 1870s with guns, poison and intimidation to developing an open cut lead and zinc mine beside the McArthur River (McArthur River Mine owned by Swiss company Xstrata expansion from 2002) it has been the same story.

Artists Jacky Green (Garrwa, Gulf of Carpentaria and Visiting Indigenous Fellow at the Australian National University), Therese Ritchie (Darwin) and Sean Kerins (CAEPR Fellow at ANU) create a powerful installation and platform to reinstate political agency. The Open Cut collaboration inspires us to look beyond the jingoistic slogan "developing the North" to see the embedded open cut mines, waste dumps and dams and fracking. The artists and owners propose a future working on carbon abatement, Indigenous Protected Areas and caring for country. 

Jack Green is renowned for punchy paintings that carefully document the dispossession of indigenous owners by Australia’s ’good to go’ world of government agreement and the socially corrosive hard corruption of money. In 2015 Jack Green won the Australian Conservation Foundation's Award for his sustained personal effort to speak out and to question government legislation affecting the region. Jacky Green and Sean Kerins have a long-standing collaboration on Caring for Country projects. 

For Therese Ritchie’s dramatic black and white portrait photographs, her subjects carefully choose words such as “My country”, “cut open” and “sovereignty” to paint boldly on their bare chests, arms to literally embody the cultural and social impacts that exploitative mining has had on their very beings, families and communities. Bitterly, many of those pictured are the same people who spoke out against a zinc mine in 1981 to make the legendary film Two Laws. Since then they have been betrayed by McArthur River Mine and a parade of Federal and Northern Territory governments. Ritchie's installation brings together the generations of anguish and anger.

In video and for the opening, artist colleagues, Stewart Hoosan and Nancy McDinny, speak about 'why they don't do ‘Dreamtime' paintings.’


In 2006 McArthur River Mine, owned by Glencore / Swiss giant Xtrata, expanded from an underground to an open cut operation. The government approved the diversion of the major tropical McArthur River by 5.5 Km, causing deep wounds to significant sacred sites. Now, over ten years down the track and despite multiple complaints, McArthur River Mine has an enormous toxic waste problem with no solution in sight.

Despite the travesty, late last year Glencore began lobbying to expand and to keep producing lead and zinc for another 30 years. The respected Australia Institute responded by saying the company's Environmental Impact Statement was "laughable" and questioned its economic arguments for expansion. (ABC News, 11 September 2017.  See:

The Australia Institute report points out Glencore has not paid company tax. (The only recorded tax payment to the ATO was when zinc prices boomed.) Nor does Glencore pay royalties to the Northern Territory government. Of jobs, over 95% workers are fly-in, fly-out. Glencore claims to pay a small 'Community Benefit', but the area's vital health, education services are funded almost entirely by the government.

The Australia Institute concludes that from an economic perspective, the best approach is to close the mine and ensure Glencore pays for rehabilitation.

Image right: Jacky Green, Yee-haw, Money trucks, 2017, 87 x 100cm, acrylic on canvas. Courtesy the artist   
Image left: Therese Ritchie, Cain O’Keefe, 2017, digital print on Ilford Monofibre Silk, 84 x 56cm. Courtesy the artist 

Yee-haw Money trucks, Jacky Green Artist Statement:
Year after year mining trucks keep taking the minerals from our country. The miners cut our river and diverted its waters to dig at the resting place of the Rainbow Snake. Year after year, hour on hour, the trucks haul the minerals away. They take all the Spirit from the country. They take wealth from our country, leaving behind a huge open cut pit and toxic waste rock pile for us to clean up. They cut-open the guts of the Snake and left us with the mess. We hurt when we see those trucks driving through our country. Just like the cowboys scream Yee-haw at the rodeo I imagine the miners riding their trucks across our country screaming, “Yee-haw, I’m rich, Fuck you!”

Jack Green viewing timeline by Sean Kerins and Therese Ritchie with assistance by Jacky Green.

Jack Green, Sean Kerins, Therese Ritchie, installation of timeline.

Open Cut Timeline Print

Jack Green, Sean Kerins, Therese Ritchie, installation of timeline.

Stewart Hoosan (Garawa) reflects on how, over the past 140 years, European development projects have resulted in the killing of his people and the poisoning of Country.

Nancy McDinny (Garawa) asks why her Country carries the name of the man who masterminded the massacre of her ancestors.

Open Cut Jacky Green

Open Cut installation shot.

Open Cut The Cross Art Projects

Open Cut installation shot.

Open Cut Installation Shot

Open Cut installation shot.

Open Cut Exhibition Opening Photography by John Janson-Moore

Open Cut Exhibition Opening. Photography by John Janson-Moore

Open Cut Exhibition Opening Photography by John Janson-Moore

Open Cut Exhibition Opening. Photography by John Janson-Moore

Open Cut Exhibition Opening Photography by John Janson-Moore

Open Cut Exhibition Opening. Photography by John Janson-Moore

Open Cut Exhibition Opening Photography by John Janson-Moore

Open Cut Exhibition Opening. Photography by John Janson-Moore

Open Cut Links

Open Cut on Facebook -

Open Cut on Twitter -

Open Cut on Instagram -

About the Artists

Jack Wongili Green: is a Garrwa man, born in 1953 and educated on country before working as a stockman. Later, Jack worked for the Northern Land Council and is a director of the Carpenteria Land Council. Jack has spent over 30 years fighting for the protection of his country and its sacred sites and founded the Garawa Rangers and Waanya/Garawa Rangers and continues this work today, for which he won the 2015 Peter Rawlinson Conservation Award. He began to paint in 2008 to get his voice heard, to show others what is happening to his country and people. His work is represented in the collection of the Australian National University and he has been a finalist in the Telstra National Aboriginal and Torres Strait Islander Art Award in Darwin (2016).

Sean Kerins: is a research fellow at Centre for Aboriginal Economic Policy Research at the Australian National University. He has worked with Indigenous peoples and communities for the last 25 years on cultural and resource management issues. He has collaborated with senior Garrwa man Jack Green on a series of important articles, notably in People on Country, Vital Landscapes, Indigenous Futures (edited by Jon Altman and Seán Kerins, 2012). 

Therese Ritchie: is a resident Darwin artist, photographer and graphic artist whose experiences and insight into the political and social life of the Northern Territory continue to inspire her contribution to Australian contemporary art. Therese Ritchie artist's website at

Exhibition History

Open Cut was first shown at NCCA in Darwin (July 2017). Lismore Art Gallery (Curator Djon Mundine, November 2017), The Cross Art Projects (February to March 2018), Counihan Gallery in Brunswick, Melbourne (June 2018, curators Jo Holder and Djon Mudine). Thanks to NCCA, Lismore Art Gallery and Counihan Gallery. 

Open Cut joins the previous Flow of Voices set of exhibitions at The Cross Art Projects on contemporary art, settler colonialism and mining and social justice in the Gulf of Carpentaria in the Northern Territory of Australia. In the first and second iterations Jack Green, Stewart Hoosan and Nancy McDinny, compared the brutality of the colonial frontier with ongoing settler colonialism and large-scale developments such as mining. Without proper respect for people and country, racial hierarchies and imperialist attitudes persist. In the process the artists' voices have been aggressively censored and an international art publication threatened with a "take down" order. (August 2017.)

Flow of Voices 1 -

Flow of Voices 2 -

Flow of Voices 3 -

Artist Interviews (video):

Harry Lansen, 'Song for the Rainbow Serpent' at:

Nancy McDinny, We Paint We Belong

Stewart Hoosan, Elders Protecting Country

Action: Our Land Is Our Life

Miriam Charlie, ‘My Country No Home’:

Miriam Charlie, ‘Gulf to Gallery' -

Borroloola mob: Mining on Traditional Lands — Film and video documents

1981: Two Laws, film made in 1981 (Directed by Carolyn Strachan/Alessandro Cavadini) is a history of the Borroloola Aboriginal Community and shows the start of mining on tribal land:; 2007: Sacred Land Film Project: In August 2007 they travelled to the Supreme Court hearing on the legality of the McArthur River mine expansion.; 2014: Dirty Business: How Mining Made Australia, film directed by Jacob Hickey and Sara Tiefenbrun for Renegade Films. SBS TV, 2014. Borroloola mob's Call to Action 2 min clip and Protecting Country from Fracking, a 20 min film. Harry Lansen, 'Song for the Rainbow Serpent' at:


Borroloola mob / Gulf Country References

John Bradley with Yanyuwa families, Singing Saltwater Country. Journey to the Songlines of Carpenteria (Alen & Unwin, 2010)

Tony Roberts, Frontier Justice, A History of the Gulf Country to 1900 (UQP, 2005). > Download pdf

Tony Roberts, 'The Brutal Truth. What happened in the Gulf Country', The Monthly, 2009. >

 Gulf Country Songbook: The Gulf Country Songbook, published by Waralungku Art Centre (December, 2016) showcases some of the many songs composed in Yanyuwa, Marra, Garrwa and Gudanji languages in the last 100 years. There are songs of land rights claims, of the maranja – ‘dugong hunters of excellence’, of paddling a canoe on the sea at night, of boundary riders on a pastoral station, and Ancestral Beings journeying across country... The Gulf Country Songbook includes Yanyuwa, Marra, Garrwa and Gudanji words of the songs and English translations / interpretations. Contact Waralangku Art for the CD (also QR codes) and a DVD of short documentaries.

Artist's Articles and Exhibition Reviews

Jacky Green, ‘Flow of Voices’, Arena Magazine, 2012, No. 124. > Download pdf

Jack Green, Biography and Statement on Work, 2014. > Download pdf

Gina Fairley on Jacky Green's Flow of Voices for Arts Hub, week of 21 April 2014. > Download as pdf

Seán Kerins, 'Challenging Conspiracies of Silence with Art', Art Monthly, Summer 2013/14. > Download pdf

Seán Kerins and Jacky Green, 'Indigenous country in the southwest Gulf of Carpentaria: Territories of difference or indifference?' In Jon Altman ed., Engaging Indigenous Economies, 2016. > Download as pdf

Seán Kerins and Jacky Green, People on Country:

Pippa Milne, CCP Declares: On the Social Contract, exhibition catalogue (with Miriam Charlie) Centre for Contemporary Photography, Melbourne, 2016. > Download as pdf

Amy Quire, 'Jack Green, Beyond Dot Paintings', illustrated feature, New Matilda print and on line, 25 Feb 2015.

Indigenous Australian Corporation Accused of Censoring Aboriginal Artists by Crystal Wu > Download as pdf

Glencore mine's 'deal' with Indigenous owners called into question, documents reveal -

30 March, The Conversation, “In Open Cut exhibition, protest art challenges visitors to Take action”, By Kirrily Jordan, Research Fellow, Australian National University

2018: An unsettled Settler reponse to Open Cut by Kate Leah Rendell, un Magazine, Issue 12.1 > Download as pdf


About Mining and Natural Gas Extraction in the Gulf and Borroloola region

McArthur River Mine operated by Glencore Xtrata (located 65 km south-west of Borroloola, 120 km south of the Bing Bong loading facility and 900 km southeast of Darwin), is one of the world’s biggest open cut zinc mines. Ten years down the track and despite multiple complaints, there is an enormous toxic waste problem: a pile of toxic waste the size of 250 Melbourne Cricket Grounds. (14 February 2016, ABC Radio National, Background Briefing by Jane Bardon.) Natural Gas Is the new threat. The NT government’s mapping shows 85% of the NT is under exploration license or application for exploration license for oil and gas. Permits to drill cover more than 90% of the region. The new NT Chief Minister Michael Gunner said, 'There is a moratorium on hydraulic fracturing, or fracking … but general exploration activities are all fine'. (14 September 2016, ABC News.) The artists have fundraised to support the NT Environment Defenders Office.

More information on mining concerns and campaigns

Mining on Traditional Land

Borroloola, Gulf Country: Glencore / Xtrata Stage 1 Approvals process (2007-2010)

Glencore Xtrata (McArthur River Mine) from 2011:

Phase 1 Approvals process:

‘Xstrata will get approval for controversial McArthur River mine expansion’, International Business Times, 22 Jan 2009. Peter Ker, ‘Garrett backs controversial mine’, The Age, 23 Jan 2009. Independent Monitor, ‘McArthur River Mine Community Report’, Environmental Earth Sciences, 2011. Paddy Manning, ‘Xstrata digs deep for prized zinc deposits’, Sydney Morning Herald, 11 Aug 2012. Australian Broadcasting Commission (ABC) TV & Online: Melinda James, ‘McArthur River Mine’ (transcript), Stateline, 6 Oct 2006. Melinda James, ‘McArthur River Mine’ (transcript), Stateline, 4 May 2007. ABC Online News Reports (chronological): Emma Masters, ‘Damning report card for McArthur River Mine’, 12 Nov 2009.

15 March 2011: Jane Bardon, ‘Mining giant accused of "rude" behaviour’; Liz Trevaskis, ‘Environmental Concerns for McArthur River Mine’, ABC Rural, 7 Dec 2011.

7 Dec 2011: ABC Rural, Liz Trevaskis, ‘Environmental Concerns for McArthur River Mine’.

Phase 2 and 3 Approvals process:

4 June 2013: ABC News, 'McArthur River mine expansion plan approved by the Northern Territory Government', By Jano Gibson. The phase three development will more than double the amount of zinc and lead produced at the site, making it the largest zinc resource in the world.

In 2014 in response to a waste dump fire, Glencore was ordered to submit a new Environmental Impact Statement to be allowed to continue expanding. It expects to produce that report next year.

27 July 2014: ABC News, 'McArthur River mine's burning waste rock pile sparks health, environmental concerns among Gulf of Carpentaria Aboriginal groups' by Jane Bardon. and

3 September 2015, Cairns Post: 'Borroloola residents betrayed by Glencore': report by Neda Vanovac, AAP

14 February 2016, ABC Radio National: 'Glencore's acid test' by Jane Bardon, Background Briefing. The McArthur River mine in the NT is one of the biggest open cut zinc mines in the world. Ten years down the track it's been discovered there's an enormous toxic waste problem, with no current solution. An investigation into the scramble by mining giant Glencore and authorities to work out how to manage a pile of toxic waste the size of 250 Melbourne Cricket Grounds.

21 August 2016, ABC News Radio: 'McArthur River Mine expansion approval process should halt for inquiry': report by Jane Bardon

14 September 2016, ABC News Radio: 'Fracking moratorium takes effect in Northern Territory, Chief Minister Michael Gunner says’: report by Avani Dias. Michael Gunner announced the move at an oil and gas summit in Darwin. He said, "The moratorium includes exploration - you cannot hydraulically frack unconventional gas reserves for exploration - but general exploration activities are all fine" '.

28 October 2016, ABC News: ‘McArthur River Mine to defend secrecy of bond alone as NT Government steps back’ by Sara Everingham. In what is believed to be the first proceeding of its kind, the NT Environmental Defenders Office and Borroloola resident Jack Green have appealed against the Northern Territory Government's decision to withhold the bond figure from documents released through Freedom of Information.

29 November 2016, ABC News, ‘McArthur River Mine workers break silence with allegations of serious injuries from toxic smoke’, by Jane Bardon: Former fly-in, fly-out workers have told the ABC they have serious injuries after breathing in toxic smoke from burning rock on one of the world's biggest zinc and lead mines, and that owner Glencore has not offered compensation or assistance. They blame sulphur dioxide plumes from the mine. A respiratory specialist says it is hard to prove the mine gases caused the health problems. They are also alleging that staff at the McArthur River Mine in the Northern Territory were ordered to cover up the extent of a fire on the huge man-made mountain where the company is dumping its waste rock. For the first time Glencore has publicly confirmed to the ABC that it is aware that one of its workers has alleged they have been injured. The dump has been burning since at least 2013, sending out a huge plume of sulphur dioxide smoke. Glencore has responded by saying the mine complies with the NT Workers' Rehabilitation and Compensation Act. See
8 June 2017: 'McArthur River Mine: Environmental concerns deepen over Glencore's expansion plan', ABC Lateline. By Jane Bardon. Glencore McArthur River lead and zinc mine has plans to double the operation’s size. Yet reactive iron sulphide rock on the mine's waste dump has been burning for three years, and leaching zinc and lead from the dump has contributed to contamination of fish in local waterways. Health authorities have told residents not to eat more than two small portions of fish a week. See:

12 September 2017: Glencore's McArthur River Mine pays zero royalties once again; NT considers changes. ABC News, by Sara Everingham. See

12 September 2017: McArthur River Mine: Economic arguments for expansion questioned in Australia Institute report titled 'Wishful Zincing'. Exclusive by the ABC News Jane Bardon. "The only known royalty payment [to the Northern Territory Government] of $13 million came in 2008 after a historic peak in the zinc price," the report said. See:

The Australia Institute is arguing the economic benefits promised by the mine do not justify the threat to local creeks and rivers including Surprise Creek. Both the Northern Territory and Federal Governments are considering the company's Environmental Impact Statement (EIS) application for the mine in the Gulf of Carpentaria to keep producing zinc and lead for another 30 years. Glencore was ordered to submit the EIS in 2014 after reactive rock on its waste dump started burning, sending smoke over nearby Indigenous communities. A report by the Canberra-based Australia Institute, Wishful Zinking, has raised multiple questions about the company's argument that the financial benefits offered by the project outweigh the environmental risks. "Based on the company's analysis, it's very unclear how you could come to a conclusion that the McArthur River Mine is even a net positive to the Northern Territory economy," report author Rod Campbell told the ABC.

Glencore estimates the mine will pay a total of $435 million in royalties to the NT Government — over 1,000 years. The Australia Institute report says the figure was unrealistic because, "In most years, Glencore doesn't pay royalties for McArthur River Mine at all". This is because the NT has a profits-based, rather than production-based, royalties system, unlike most other states. "The only known royalty payment of $13 million came in 2008 after a historic peak in the zinc price," the report said. A report covering 1000 years is 'unprecedented" or "comical". Most corporate projections are for less than 2 decades. See

21 December 2017: McArthur River Mine dumps toxic waste at wrong site. ABC News by Neda Vanovac and Jacqueline Breen. During the incident, 63 truckloads — or 14,000 tonnes — of potentially acid-forming rocks were mistaken for more benign material and "incorrectly" dumped in the mine's southern waste facility, which is not designed to hold that type of waste. The material then combusted, sending sulphur dioxide into the air.

21 December 2017: McArthur River Mine: Toxic waste rock ongoing problem, security bond inadequate, report finds. ABC News By Neda Vanovac and Jacqueline Breen. See

Glencore and Peabody multinational miners and freight terminal owners (Port Kembla and Newcastle in NSW), Australia

In early January 2018, PKCT began an unprecedented lock out at the POrt Kembla Coal Terminal "to counter union threats". February 16 2018: Illawarra Mercury, ‘Port Kembla terminal costs sending Illawarra coal to Newcastle’, by Ben Langford. The Port Kembla Coal Terminal has locked out About 60 workers. Coal is being loaded by a “contingency workforce” while permanent workers picket outside. Even though international mining giants Peabody and Glencore are part-owners of the Port Kembla terminal, the Mercury has learned from multiple sources that they have been sending their coal by rail to Newcastle for export. Glencore and Peabody are also majority owners at Newcastle — where they pay lower fees. The bitter dispute relates to a fee levy to replace aged equipment. See

PKCT is locking out workers every time a ship arrives and replacing them with a temporary workforce to operate the terminal. This mirrors Glencore strategy being used against 190 mine workers who have been locked out of the Oaky North coal mine, near Tieri in central Queensland, since mid-2017 without pay amid accusations that such bully boy tactics were used in the 1970s.

About Natural Gas mining and fracking in Northern Territory

The NT Government’s own mapping shows 85% of the NT is under exploration licence or application for exploration licence for oil and gas. Permits to drill now cover more than 90% of the region (see map attached). This online interactive map allows users to see areas in the Territory already approved for oil and gas exploration. The light orange areas are under application by oil and gas companies that want the rights to frack, while darker orange shading means approval has already been given. 
Residents and Traditional Owners from the Gulf region have been a leading voice in the campaign for protection of land, water and communities from fracking. They have been taking part in protests, speaking at local and national events, taking part in the Territory Frack-Free Alliance to help coordinate the campaign from regional and remote areas and even producing artwork highlighting the risks of fracking to country and culture. Both the Nawimbi and Garawa Land Trusts have voted unanimously to veto shale gas exploration on their land trusts covering the townships of Borroloola and Robinson River.

For general information on shale gas fracking:


Map: McArthur River system > Download pdf

Map: Natural Gas mining and fracking in Gulf Country

Map shows Permits to drill now cover more than 90% of the region. Users can see areas in the Northern Territory already approved for oil and gas exploration. The light orange areas are under application by oil and gas companies that want the rights to frack, while darker orange shading means approval has already been given. Both the Nawimbi and Garawa Land Trusts have voted unanimously to veto shale gas exploration on their land trusts covering the townships of Borroloola and Robinson River.

For general information on shale gas fracking: and Lock the Gate at